Towards a Progressive neo-Hasidism
"A Psalm Admitting
Reluctance" &
"The Replica"
Rich Orloff
A Psalm Admitting Reluctance
Sometimes I think that my reluctance to believe in God
Is nothing more than adolescent spite
A scoop of “You can’t make me believe in you”
In a cup of “I’m in control here”
With a dollop of “If you’re so divine, why aren’t I happier?”
It’s as if I’m saying
“I’ll believe in you if…”
As if God might say,
“I gave you the heavens and the earth and the miracle of life
But if that’s not enough
Here’s another fifty bucks
Now are you satisfied?”
I’d love to scapegoat God
And bring God down to size
Beneath it all
I yearn for God to say “I’m sorry”
(Although I suspect that if God ever did apologize to me
I’d be awestruck
Or possibly just embarrassed
That God called my bluff)
Perhaps I’m simply afraid
To leave the solitary confinement of my ego
And allow myself be released into the vastness of the unknown
It’s like I want a pre-nup
Before I’m willing to have a relationship with the Divine
And say
Yes, I will give you my love
​
​
The Replica
I believe in the Commandment
Not to worship false idols
But some of them are so shiny and famous
They obstruct my view of the Divine
I think the god I was raised to worship
Was only a replica of God
So popular in my neighborhood
That my parents felt obligated to believe
Rooted in their identity
Not in their experience
Their God was a concept
Backed up by stories with plot holes I was supposed to ignore
I hesitate opening the door to God
Because I fear the replica will enter
And my disappointment will be so deep
That I’d prefer atheism to this second-rate deity
I open the door just a crack
Praying to connect
Not with a replica
But with the tantalizing incomprehensibility
Of the Divine
Davening at Ariel's by Rena Yehuda Newman
Rich Orloff
Rich Orloff writes both poems and plays. His poems have been published in The Poet, Fragments (published by T’ruah), Fresh Words, and The Jewish Writing Project, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate. Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue Oy! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects. Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica. More at www.richorloff.com.